Untitled 14

Year: 1985
Medium: Lithograph on paper
Size: 32 x 40 inches
Edition: of 60

Free South Africa 1 is a stirring artwork imagined within the context of Keith Haring‘s Free South Africa activism. Before Haring’s young death, the artist defined his impactful life and art by his activism in all aspects from drugs, the AIDS crisis, politics, digital media, and of course, apartheid. Under the oppression of the strict racial segregation laws enforced in South Africa from 1948-1994, economic, social, and educational inequality radically affected the lives of non-white South Africans, uprooting lives and subjecting them to gross government-sanctioned abuses.

The Free South Africa series, an interconnected visual storytelling unfolding across multiple artworks, is the embodiment of Haring’s belief in art for activism as well as a testament to his ability to inspire his audience to embrace a sense of optimism and hope for a future without barriers. Through this illustrative series, he brings attention to the struggles faced by the people of South Africa under apartheid, amplifying their voices and calling for global solidarity. It is a poignant reminder of the need to fight injustice and work to build a world where freedom, equality and human rights prevail.

Free South Africa 1 is marked by a sense of tension and unease, conveyed through the use of bold lines and contrasting shades. Haring’s signature graffiti-inspired style is evident in the energetic and fluid lines that give the figures a sense of movement and dynamism. The work’s depiction of a large, shadowy figure with a hungry, anthropomorphic noose leaves some room for ambiguity in the neutrality of the forms, but is suggestive of the metaphorical noose with which the oppressive regime of South Africa tied around the majority black populace, constricting their movement and independence.

The rope, snake-like, unleashes its ravenous appetite for control back on a small, white figure, leaving room for audience reflection about the work’s message and inciting a spirit of action to stand up against apartheid. Haring’s gestural lines enhance the struggle of the figures, as the red cross symbol lingers above and an allusion to the also ongoing HIV epidemic permeates the ground, all hinting at the international neglect of the sociopolitical issues overwhelming Africa. An emotionally charged piece, Free South Africa 1 is a piece that not only inspired awareness and unified hope at the time of its creation, but also has stood the test of time as a marker of an important event in history that made an indelible mark on the world and should never be forgotten.

 

 

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