Untitled (Crowd Plate) is a 1987 lithograph by Keith Haring. This dynamic artwork showcases a composition of red figures lifting a blue figure, reminiscent of the act of crowd surfing, set against a lemon backdrop. In Untitled (Crowd Plate), Haring showcases his knack for color, using primary colors to amplify the presence of the figures. Infusing the work with his signature gestural lines, he heightens the sense of movement and vitality in the composition. Each figure seems to possess a distinct perspective, offering viewers room to determine whether the atmosphere depicted is one of joyous celebration or anxious anticipation. This ambiguity adds depth to the artwork, engaging the audience in a dialogue with the piece and allowing personal emotions and experiences to shape its meaning.

Haring emerged from the vibrant street art scene of 1980s New York City, having been heavily influenced by graffiti culture and illustration books of his childhood. These influences formed his distinctive style, characterized by bold, simplified figures that communicated powerful messages with striking clarity. Beyond artistic expression, Haring employed his creations as a platform for activism. He recognized the power of art to explore important social and political messages in the public eye.

His artwork tackled various pressing issues of his time, including AIDS awareness, LGBTQ+ rights, and nuclear warfare. By employing a simplified yet affective aesthetic, Haring’s works transcended language and cultural barriers and became vehicles for questioning societal norms. Untitled (Crowd Plate) exemplifies Haring’s use of art as a means of speaking to people of all backgrounds and ages, and challenging them to contemplate their connection to the work and to one another.