This untitled screenprint by Keith Haring, published in 1986, is a jubilant embrace of cultural intersectionality and social responsibility. In this work, often referred to simply as “Cup Man,” Haring’s quintessential dance of lines takes a rhythmic twist. His signature faceless figure undergoes a delightful transformation, evolving into a matryoshka – the iconic Russian nesting doll known for its vivid colors and meticulous patterns. Embracing the lively palette characteristic of these dolls, Haring melds his unerring urban energy with this traditional Russian motif. The figure, with its torso unfurling into individual entities, is a fascinating nod to the multi-layered nature of human identity, just as matryoshkas unveil smaller versions of themselves with each opened layer.

The piece was a distinguished entry in the 1989 Kinderstern Portfolio, a special collection uniting twenty-two distinct artists in a common cause. Published by Michael Domberger and expertly printed by Domberger Siebdruck Printstudio, this portfolio was designed to raise funds to support the families of children battling cancer. Within this context, “Cup Man” not only contributes to an artistic discourse that champions unity and diversity, but also emphasizes Haring’s steadfast dedication to social causes and his deep compassion for children.

In this artwork, the dancing figure exudes Haring’s characteristic zest and whimsy, while attesting to his belief in shared humanity and his commitment to humanitarian causes. It’s a vivid reminder that, across cultures and traditions, joy, humor, and the human spirit remain intertwined.