{"id":1065,"date":"2022-08-19T22:24:59","date_gmt":"2022-08-19T22:24:59","guid":{"rendered":"https:\/\/haringgallery.com\/?post_type=artworks&p=1065"},"modified":"2023-10-24T00:31:13","modified_gmt":"2023-10-24T00:31:13","slug":"stones-5","status":"publish","type":"artworks","link":"https:\/\/haringgallery.com\/artworks\/stones-5\/","title":{"rendered":"Stones 5"},"content":{"rendered":"

In Stones 5<\/em>, Keith Haring<\/a> concludes the series with a piece that\u2019s both a summation and a retrospective, harmonizing his signature elements while echoing the voices of his past works. Harnessing the familiar thick white lines that characterize this series, and set against a deep black backdrop, this work delves deep into a self-reflective terrain, teeming with myriad symbols from Haring’s past.<\/p>\n

At first glance, one witnesses the kinetic dance of figures and shapes, a testament to Haring’s penchant for motion and luminosity. Yet, upon closer inspection, Stones 5 unravels as an intricate tapestry of Haring’s iconic symbols, harking back to his days of graffiti on New York subway walls. The energy of the city during the Eighties pulsates within, as breakdancing figures with electrifying zig-zag limbs populate much of the frame. Gestural lines envelop many of these figures, perhaps suggesting moments of realization or epiphany.<\/p>\n

Positioned at the base, a tender portrayal of a figure holding a baby speaks to maternal love, juxtaposed intriguingly with a descending spermatozoon. Ascending, two humans intersect, their united form resembling scissors, which sever a malevolent snake, possibly symbolizing the collective power of love and unity against adversity. Further upward, a poignant figure with an arm piercing through its voided torso to metamorphose into a leg, poetically conveys that our deepest yearnings might just be a quest for the parts of us we’ve overlooked or forgotten.<\/p>\n

In the top right corner rests the “Cup man,”<\/a> reminiscent of the matryoshka, or Russian nesting doll, and emphasizing the manifold layers of human identity, unfolding like the iconic doll itself. Capping this emblematic journey, Haring’s “radiant baby<\/a>” dances, its gestural lines signifying movement more than luminosity.<\/p>\n

Stones 5 emerges as a compelling visual anthology of Haring’s iconic motifs, masterfully encapsulating his artistic journey. Through lithography, a medium rooted in age-old techniques, Haring elevates the ephemeral energy of his subway graffiti into enduring art. In doing so, he not only celebrates his signature symbols but also amplifies their profound resonance.<\/p>\n

See also:\u00a0Stones<\/a>, Stones 2<\/a>, Stones 3<\/a>,\u00a0<\/em>and\u00a0Stones 4<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In Stones 5, Keith Haring concludes the series with a piece that\u2019s both a summation and a retrospective, harmonizing his signature elements while echoing the voices of his past works. Harnessing the familiar thick white lines that characterize this series, and set against a deep black backdrop, this work delves deep into a self-reflective terrain, […]<\/p>\n","protected":false},"featured_media":566,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"decades":[10],"acf":[],"yoast_head":"\nStones 5 - Haring Gallery<\/title>\n<meta name=\"description\" content=\"Stones 5 is a lithograph by pop artist Keith Haring, published in 1989. 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